anastacia liveatlast xtra page...Anastacia interviews/reviews/news clippings...

~

This site is Part of www.anastaciannewkirk.blogspot.com so for more news, photos simply everything on the music artist Anastacia!!! go back to it, or simply visit! Thanks.

~ Wembley UK concert review (20/03/05) part of Anastacia's live at last tour.

~Left outside Alone Billboard Review march12th 2005.

~Anastacia News Clip (Jan 2005)

~Q&A from Los40 1 radio interview 07/12/04.

~Review of Live At Last Tour from Birmingham NEC UK 3/11/04.

~Transcript from LIVE FANCLUB CHAT with anastacia 27/09/04.

~My review of ANAstacia's London Gig, march 2004

10/30/2005

The Trials of Anastacia. The Times interview.


The trials of Anastacia



Her recovery from breast cancer gives hope to Kylie. But the disease hasn't been the only trauma in the life of the sassy singer Anastacia. Tony Barrell reports
As the September sun sets behind Brooklyn, New York, the popular 32-year-old American singer known as Anastacia is preparing to be taken to her padded cell.
Before any of her fans start shrieking — and, take my word for it, the shriek capacity of the Anastacia fan base is staggering — let me explain that this is only a video shoot; a glossy promo for one of the songs on her forthcoming album. It's a greatest-hits collection, but as is the way of things in the music business, riding on the back of the CD will be some new songs. One of them is the title track, Pieces of a Dream, and in this video interpretation, the star is marshalling her acting talents to play a woman who loses the plot. Leaves for the funny farm. Goes doolally — apparently as a consequence of unrequited love.
It's a powerful song — with music, as with everything else, Anastacia doesn't do limp, weedy or half-hearted — and as it is replayed endlessly during the long day's shoot, it begins to sound like a 21st-century Total Eclipse of the Heart.
For the role, the singer is being given a mad makeover in the best traditions of Hollywood. Stylists have frizzed out her long blonde hair and found her a weird white dress resembling a straitjacket, and now she is perched in a trailer having ragged, "bitten" extensions attached to her fingernails. "I'm telling you," she announces, "this'll look really like I've lost it. Like I really am in an insane asylum." Her dark brown eyes widen on her catlike face. "I think we should all end up in an insane asylum. I think everybody should." Her preeners, factotums and nail-extension operative all laugh. Anastacia is truly getting into character.
Insanity might be the next logical step for this resilient performer, whose life story contains as many hurdles as an Olympic hurdling event. Born Anastacia Newkirk in Chicago in 1973, she was brought up by her mother after her parents separated when she was a small child. She and her elder sister, Shawn, and her autistic brother, Brian, ended up with their mother, Diane, in a one-bedroom apartment in Manhattan. Diane was an actress and, as Anastacia recalls today, "At times we had a lot of money and at times we had nothing." The future pop idol wore glasses to correct her terrible eyesight from the age of seven, and as a teenager began to suffer from Crohn's disease, a vicious intestinal condition that she still has to keep in check.
She started out as a dancer, but ultimately her voice became her saving grace. An appearance on a 1998 MTV talent show led to a record deal, which led to a single in 2000, I'm Outta Love — a song that became a karaoke-bar classic as well as a European chart hit. Anastacia CDs started falling off the shelves (she has now shifted more than 20m worldwide) and fans — particularly women — started flocking to concert halls to watch this 5ft 3in amazon with the trademark dark glasses and bare midriff, and the voice of a black R&B singer. In fact, that avaricious consumer of soul music Sir Elton John, who became a fan and is now a great friend, was convinced she was Afro-American when he first heard her records. Then, just as everything is going swimmingly for her, here comes another hurdle, the big one. In early 2003, suffering from back trouble, the rather buxom Anastacia decides to have breast-reduction surgery. She has a routine pre-op mammogram, and something shows up. She has cancer.
In a way, she was fortunate: as with Kylie, it had been caught early. She had surgery and a course of radiotherapy — neither chemotherapy nor a mastectomy was deemed necessary. The experience was, of course, still a wrenching one for her, physically and emotionally. But in an interview the day before the video production, in a limo travelling from Manhattan to Brooklyn and the site of the photo shoot for this feature, she brings up the subject unbidden and talks at length about it. She knowledgably discusses the different stages of breast cancer, up to stage four — the point at which cancer is detectable in other organs of the body.
"I'm an early-detected breast-cancer survivor: it had not hit my lymph nodes yet, so I was one of the lucky ones. But had I had stage four, I don't know where I'd be right now." Back in March, when she played to a packed Wembley Arena Pavilion, she talked about the "health stuff" she had been through, and sang her moving ballad Heavy on My Heart while wearing a "Survivor Chick" T-shirt. By selling shirts like this, she says she raises money for her Anastacia Fund, which aims to heighten awareness of breast cancer. "And I don't have 10m people working for me: it's just me and my sister, Shawn. We've raised almost $1m just in T-shirts alone — so, you know, that's not bad, for two little chicks from Chicago!" She is a rapid talker, an impulsive conversationalist whose words threaten to collide when they come tumbling out of her; often she will start a sentence, abandon it and approach it from another angle, all within a few seconds; sometimes you are left with an impressionistic tapestry of words that doesn't work brilliantly on paper, but whose meaning is crystal-clear.
Now she gives a long speech, basically addressed to the healthy young women of the world. Here's an edited version. "The point I try to get across to women is, you need to see the statistics that are out there. We were brought up believing that this is a genetic disease, that this is hereditary. But it's not majority hereditary any more. It's something in the environment — whatever we're eating, breathing, emotions, stress . . . You can't stop life, but you can prevent being stage-four if you have early detection. So, as long as you are taking care of yourself and getting those mammograms, it will really save your life."
Before she became a singer, says Anastacia, she had an ambition to join the caring professions, to be "a psychologist/social worker for disabled children". She is now effectively an ambassador for cancer awareness, and, given time, has the potential to become a kind of oncological Bob Geldof or Bono. "In 2006 I will put a very wonderful fundraiser together — I don't know where, I don't know how. But I have a number of people that are very open and willing to help me put that together."
This Xena: Warrior Princess of music, uncompromising in her pursuit of self-belief, seems to take whatever life throws at her and turn it into a positive thing. This isn't always ideal in an interview. Angling for a colourful description of her impecunious upbringing in Manhattan, I get this: "I never felt less than happy or less than a child or less than satisfied in my growing-up. Money didn't really matter. I mean, we had to pay bills, I'm sure, as a family, but it didn't matter to me in my happiness at all. That wasn't how my mother brought us up: she didn't teach us that money made the world go round and made you smile, at all. We didn't know designers from a hole in the wall. We were just kids, and we had a really loving mother and we had a good relationship with each otherÉ" She still has a profound love for her tight little family. "I love them with all my heart. I admire my mom and my sister as women. I respect their values, their morals, their spirits, their beautiful energies."
Strangely, though Anastacia is famous across much of the world, the LA-based singer is not very well known in her home country. Once again she has a positive explanation: it is all part of the big plan. "They don't know me here because I don't choose for them to know me," she says, adding that only the second of her first three albums, Freak of Nature, was released Stateside — and that was only because people started buying it expensively on import and she felt guilty. "And then I was thinking of releasing the third album here, but I never really was able to find the time; and now I don't know that I want to release it at all. I don't know that I want to open up more doors here. For my career, it's not something that I have to have. My record company are happy with the numbers I'm doing. And I'm not into wanting to take another million moments out of the day I don't have and give it to America." The marketing strategy has evidently changed since 2002, when she guested on US TV shows such as The Tonight Show with Jay Leno to promote the Freak of Nature release. But then time is more of an issue for her since the illness. "I've learned to take care of the 'me' time that I always used last. I always wanted to take care of everybody else, make everybody happy, and make sure the record company got their promos and the fans got their autographs and duh-duh-duh-duh-duhÉ and I was last on the list for recharging the batteries. Well, not any more, because I'm no good to anybody if I'm run down into the ground, and that's not a fair way to live."
She spends a lot of her spare time watching DVD sets of her favourite TV shows: thrillers like CSI: Miami, Alias and 24, and comedies like Will & Grace. She enjoys reading autobiographies: she just finished Scar Tissue by Anthony Kiedis of the Red Hot Chili Peppers, and says she is in the middle of My Life So Far, by Jane Fonda. "But I'm not a big-time reader. I think, because my brain works so hard and I'm so involved in what I do, I'll start reading and then all of a sudden my mind will start thinking about something in my life and I'll go two pages and I'll be like, 'Okay, what did I just read?' I was thinking about my photo shoot for tomorrow and my this and my that . . . "Astonishingly, she says she doesn't listen to music at home. "I prefer silence. My head is thinking other things and I like to be able to concentrate on the things I'm doing." Her own music has evolved over the past six years as she has worked to achieve a signature style, with the help of talented collaborators such as Glen Ballard (who co-wrote and produced Alanis Morissette's Jagged Little Pill album) and Dave Stewart of Eurythmics. She describes the sound she finally found as "sprock" — an amalgam of soulful vocals, poppy melodies and rock guitars — and draws the analogy that, as a young New Yorker, she would customise her own perfumes. "I bought all these oils and mixed them up, 'cause I never liked one solid fragrance. Same as my music."
She is in this business, she says, purely for "the connection between my music and my fans". But many women from her Wembley crowd seemed hungry for the whole visual package, lining up to buy flimsy copies of her sparkly cowboy hats from unauthorised vendors outside the Pavilion ("Getcher Anastaysher 'ats 'ere, only £5!"). Even before her illness, the fans adored her as a symbol of feminine strength. Now the Anastacia sisterhood — the feisty young housewives and secretaries with flyaway hair, crop tops and high heels who shriek and sigh at her concerts — worship her as a quasi-immortal goddess. She speaks with pride of her rapport with them. "My crowd, as you noticed, areÉ You could drop a pin and hear everything, because what they want to do is hear me sing. As much as they want to sing with me — and I let them sing with me — most of the time they want to hear me sing. Sometimes the silence in the room is completely because they're waiting with bated breath for the next note.

And they want to hear everything: they want to hear the breath. The silence is so respectful." She loves audience participation too: at Wembley she had a few fans brought up on stage to sing with her, and showed films of others singing her tunes a cappella outside the concert hall.
On her latest tour, fans started giving her big photograph albums containing pictures they had taken at the concerts, and letters and e-mails expressing their love for her. "I have tons of these albums in my house, and my mom is able to look through them and feel like she saw every show — 'This is when you were in FrankfurtÉ' — and it's really lovely."
NI_MPU('middle');
Anyone poring over those photo albums would see Anastacia in countless different stage outfits, most of them extremely ostentatious and many of them revealing her famous navel. While the Wembley show had an air of Las Vegas about it, with its immaculately choreographed dancers and Anastacia's appeals for the crowd to wave their hands from side to side — "These are called the love hands!" — her costumes were more reminiscent of a Saturday-night hen party in Romford. I suggest diplomatically that her taste in clothes is, ahem, interesting. "Well, that's on stage. When you see me on stage, that's the on-stage Anastacia. You've got to be a little bigger than life up there. I love fashion. I think I'm pretty normal when I'm just hanging out: I put on a pair of jeans and some high heels." But she does seem very fond of sequinsÉ "Well, on stage, yes! You must get out of the show you saw," she chides. "You have to look at the whole package instead of judging someone from when they're only on stage."
But she also has a large tattoo, which of course remains on her lower back when she is off stage. It is an ancient Egyptian Ankh symbol, representing "eternal life", and was a Christmas gift from her family several years ago. Since it appeared on the cover of her first single, it has inadvertently become a kind of personal insignia. "All of a sudden, that tattoo seemed to be the recognisable symbol of who I was: when people see it they think of me. And now people get the tattoo on their bodies." When she was starting out as a singer, it was suggested that she ditch the dark glasses, which for some people give her a Nana Mouskouri quality, but she needed them as aids for vision. Recently, though, she has conquered another physical problem: she has had laser treatment on her eyes, and though she still occasionally wears her flashy coloured spectacles — "I still love glasses; I enjoy them" — she doesn't need to. "It's become an interesting freedom." It must have been amazing to suddenly see properly for the first time. Did she have a "Hello, birds; hello, trees; hello, sky" moment? "You know what?" she replies. " It doesn't feel any different. I just look different to myself, because I can see myself without any glasses in a mirror. I find it exciting to be able to put make-up on, and to enjoy seeing the make-up and seeing my eyes. It's as if I'm getting a second shot at growing up."
It's easy to see how Anastacia would get on well with Sir Elton, a famous spectacle-wearer who dresses outrageously on stage and has fought and won his own life battles. What else do they have in common? "We have tons in common, but that's for us to know." The two of them shared an intimate public moment when he invited her to duet with him at Madison Square Garden five years ago. "I'd finished singing on stage with him, and he came over and instead of kissing my hand, he came down and kissed my navel. And I was like, 'Whoa! Yuuuummy!' It was in front of 30,000 people, so it was a little bit like, 'Should I kiss his navel? What should I do?' 'Cause he's a 'Sir'."
If there are any heterosexual men kissing her belly button on a regular basis, she isn't letting on. She recently split up with a German TV presenter, and says she dislikes negative attitudes towards the state of being single. In fact, she celebrated that very state on her previous album, with the song Sexy Single. She is raucously amused that, when she played a charity event for Prince Albert of Monaco, a press report linked them as a couple. "I did his Red Cross ball and we happened to be nice to each other and suddenly it's, 'Do they have a relationship going on?' And everyone's like, 'What's happening with you guys?' And I'm like, 'What is happening with us? 'Cause I would love to find out. I'm the last one to know what's happening in my love life."
The pressures on a recording artist in the spotlight are enough to drive anyone mad. And the next day, as she makes crazy faces for a video camera in Brooklyn, we might begin to worry about Anastacia. But her name means "she who will rise up again" in ancient Greek. This redoubtable woman has succeeded in regaining her health, reclaiming her life and repairing her eyesight. She will surely be able to get her marbles back.
The new album, Pieces of a Dream, is released on November 7

Courtesy of TheTimesonline.co.uk

5/15/2005

Next Magazine. Freak of Nature Interview.

"I smell like Doritos!!!"I've just had my eardrums shattered for the second time today. The first came while sipping Snapple and reclining on a plush red sofa in an acoustically perfect listening lounge at the Sony Music production studios in Hell's Kitchen. My task-to show up and listen to a few new tracks from the forthcoming sophomore disc by the bootylicious blonde white girl with the fat black voice, Anastacia.


Coming on the heels of Not That Kind (Anastacia's debut disc that went multiplatinum everywhere but the U.S.) this New York-raised diva-whos a star in just about every country but this one (shades of Kylie)-blew my hair back, damaged my hearing and brought much-needed blood to the surface of my skin through the shear force of her sassy, full-throttle vocals. The new record (out in June) is called Freak of Nature, which is perhaps apt given her superhuman belting talents. The 12 tracks (all of which Anastacia co-wrote) are way fierce. The title tune is a Prince-ly flavored finger-lickin' treat, and "Paid My Dues," reads like Miss A's crackling take on, say, George Michael's "Freedom 90". There's the soaring ballad "You'll Never Be Alone" (written for her god-daughter-awww), and the first U.S. single, "One Day in Your Life," is an anthemic "I-will-survive" knockout. It gave me chills-really! It's likely to make her the household name here (in gay households anyway) that she deserves to be. And, she's also just completed a stint onstage in Vegas with Cher, Mary J. Blige, Celine Dion, Shakira and the rest of the VH1 Divas Las Vegas crew, so Lord knows she's earned her props.


Like so many when I first heard you, I thought "Who is this fat and sassy black girl singing?" Then I saw you in a video and was like...Okay, what Martha Wash stand-in did they get to sing for her?


Exactly. But we all know better now. Your last record was huge worldwide. Is there a lot of pressure for you to finally crack the U.S. market this time around?Obviously they always talk about that. All I know is, personally I was ready to write a new album. On my first record, I was just shocked that I had gotten a deal and that they were allowing me to write at all. Back then, I didn't know what a photo shoot was, I didn't know what a video was, I didn't know what I was doing. I was new! So with the second album, I was sooo ready to write. And I had a very tight schedule this time around. The record company said, "We'd really love to put an album out and we need it fast. And I was like, I can do that! They were like, [wink] "Okaayyy!" Then I turned it out and they were like, "Oh shit!"


The first single "One Day in Your Life" gave me chills. It sounds like a sequel to your first hit, "I'm Outta Love."That's what it is. It's saying, "You're going to miss me when you're gone, and youÕre going to sit there... And I tried to make it work." That one is directed at somebody. And you don't miss what youÕve got 'til it's gone. That's pretty much what that song says.

"Paid My Dues," comes across like a TV-movie drama of your struggling years-with a beat you can dance to!It's totally my story. "Paid My Dues" is telling people, "Listen... I have served food, I have answered phones, I have collected unemployment checks, I have sung at weddings and bar mitzvahs. This bitch has done it all!"


You're a huge star all over the world. This record has been #1 in Europe and you've won "Best Female Artist" at the MTV Europe Awards. Did you ever imagine someday you'd be huge in Copenhagen or Amsterdam or Lisbon?No, not at all. I can't even say it's a dream come true, because I had no clue that this was going to happen. I'm taking it in stride and I'm dealing with it with whatever I gotta do. A while back I was presented a plaque from my record company one night at Nobu-"7 Million Sold." And I was like, "Umm.. Thank you. That's hilarious!" What's it like being an American who's a huge star overseas? Well, the weirdest part was that I had never traveled outside the U.S. before. So in every country I was like, "Cool!" But, I think I blew up like 700 hair dryers before I figured out Europe's plug system. [laughs] I was like, "What plug do I use for-AAUUUGGGHH!!" with fire shooting out of my hair dryer. And I got really good at very simply worded interviews, like "For you, I sing nice..." speaking really slow to foreign interviewers. Traveling has become my life now. I do like having the freedom and anonymity I have in America, but that may dissipate very, very quickly by what Sony is going to do with this new album. But I'm ready for it. And I'm excited because it's nice to introduce America to my scene.


How many languages do you speak?Three: French, Spanish, and English. French from school and Spanish from boyfriends. And how is your love life?I'm single.

Is that good, exciting, or bad?Ugh.. Whatever. It's stressful. I'd rather be with someone, because for me, when I'm single that just means that I'm all about work. Because it's too difficult for me to meet somebody. It really is. But, I'm not lonely. I've got great friends, and I don't need to hold somebody's hand unless I'm really loving them. It's not fun to do that awkward, hand-holding, "what are we?" thing.


Well can't you just put a new record out and let them come to you?Oh yeahÉ That's exciting. Boy, if I could show you what comes to me, you'd be just like, "No, thank you!" Whatever. I'm too picky. I'm a picky, picky girl. But I do need to figure out how to unwind. I'm just not good at it. I have insomnia, and I'm a workaholic. And I don't want to take sleeping pills, I don't want to be Judy Garland.


Now for some faggy questionsÉ Why do the gay boys love the fierce ladies-like yourself?You know, I don't know, but I am not sad about that at all. If I am anything, I am a freaking tranvestiteÕs love child. The support for me around the world in the gay community has been huge. Obviously I give them songs that they can connect with. And also, I'm completely positive, and the gay community just responds to that. That's how my mom raised me.


Your mom sang on Broadway, I believe?My mom was in musical theater here in New York. So we had everybody up in my house. Hello!!?!! I had all of these "uncles" with serious lisps. They were like, ÒLet me do your hair Anastacia!" Fucking A! They were great people. And even as a woman who is not gay, if you think I haven't been to Henrietta Hudson's you're wrong! Because I've got the fucking maddest, dopest girlfriend who is gay as hell and I'm like, "Girlfriend, let's go! Let's go there honey and play some pool!" I'm not scared of a gay club, or a straight club. I just want to go have a great time."


Do the queens go mad for you in the gay clubs?They freak out! And I love it. One time I was at Krash in Queens and Jessica Foxx did my song "I'm Not That Kind" for me. She's onstage and the crowd is throwing money so I started picking up the money from the floor for her. IÕm like, "Girl, I got your bag! You go!!" It was great. Those girls work hard for their dollar. And my friends said to me, ÒYou know, I think the community was probably just floored." And I'm like, "What do you mean?" And they said, "It just doesn't happen like that. A peformer like you gets whisked in and whisked out of a club. You don't talk to anybody, and you definitely don't go on your knees and pick up some money for somebody else." And I was like, "Well, the bitch was performing my song! She's working hard!" I was like, "Excuse me... That's her dollar! Don't be trying to put that in your pocket. Push it forward!"


Well, I'm not sure you'd see Whitney down on the floor in a club. What I mean is...Listen, I was just being me. I respect the remixers, and I respect the fact that they give me a life in the gay community, and in the clubs, and in the underground clubs, and even in the clubs where people are completely on drugs and have no clue that it's me singing. You know-the glow-stick people. Whatever! I love it. And it's great. And I wish that I could give back more.


interview from 'nextmagazine.net'

4/03/2005

Anastacia wins Echo Award 2.04.2005


"American singer Anastacia won the Echo for the best international pop/rock female artist, edging out Nelly Furtado, Norah Jones, Avril Levigne and Katie Melua.
"It's been a dream year for me," said Anastacia, 31, who has long been a favorite in Germany and sold more than 1 million albums here in the last year.
Anastacia won her first Echo, which is seen as the world's most important music industry prize after the Grammys and Brits, four years ago.
Nominations for the awards were based on sales in Germany, the world's fourth largest music market behind the United States, Japan and Britain with annual sales of 1.7 billion euros. A jury then picked winners in 26 categories.
Even though the German industry has seen sales tumble by more than 40 percent since 1997 due to the internet piracy that has hit the industry worldwide, the surging popularity of German recording artists are taking a bigger share of the home market.
German albums took a record 30 percent share in 2004 and the rising demand helped prop up the home market, where overall sales fell just 3.6 percent after steeper drops in prior years.
. Anastacia and American pop diva Maria Carey were among the 14 international and German acts to perform during the Echo award ceremony, which was broadcast nationally in Germany.
But Anastacia went out of her way to dismiss claims made by a German pop star on television that she and Carey hated each other and wanted promises their paths wouldn't cross in Berlin.
"Maria rocks -- get over it, people," Anastacia said after receiving her award.
(
www.reuters.com)

4/02/2005

Fans go wild as rock diva gets up close and personal

IT'S ANA'S TEASER ~ Anastacia, SECC, Glasgow, March 30 2005 ~
By Beverley Lyons of SECC.

~You wouldn't expect any half measures from a lady who beat breast cancer.
And Anastacia didn't disappoint. The large-tonsilled, Chicago-born New Yorker held the audience in the palm of her hand as she showed off her vocal abilities and musical nous.
The bespectacled one came on stage amidst a crashing of cymbals and exciting cinematic music.
Basking in purple lights, she soon managed to rock the SECC with her lively version of Seasons Change.
Resplendent in her tight-fitting basque and gloved hands she offered us a Latino version of Why Do You Lie To Me, as she danced to the rumba.
The power in her voice was evident as was her excitement as she said: 'It's good to be here for a second time.'
There was, however, a touch of American schmaltz as she sang her song Secrets, dedicated to children everywhere. Along with a video montage of kids playing around the world, her message was clear. 'Keep our children safe,' she urged.
Anastacia took us through a rollercoaster of downbeat, upbeat and just pure rocking songs. She got funky as she sang Not That Kind.
Joining her on stage were some green and yellow track-suited skaters and simply the most amazing break-dancer I have ever seen.
Anastacia astounded fans when she walked from the main stage to a small platform at the back of the hall. At the start of the concert we were promised Anastacia, live at last, and there she was up close in the flesh.

3/22/2005

Wembley Concert Review 20th march 2005! Oh My Goodness What a night!!

And now performing infront of 10'000 totally up for it UK fans....so Wembley pavillion, 8:30pm and muffled from behind the giant Anastacia Tour banner comes a drummer warming up for the amazing 2 hours ahead. This is third time I've seen Anastacias European Tour and this is always the moment that gets me moving as its marks Anastacia's arrival on stage as mere minutes rather than hours, days, weeks, months away!!


The band arrive on stage, and the crowd go wilde, the lights are down untill the music really starts hotting up and Anastacia appears on screen, this errupts the crowd even more. The first bars of Seasons Change begin and its like seeing the tour for the first time all over again.


The concert had pretty much the same layout, same songs different couple different dancers and musicans which all played wonderfully. Anastacia performs alittle differently at each show which evidently to make it more enjoyable for herself, make sure the show stays fresh, but the energy this lady has, wow totally amazing. Her dancing still rocks and she evidently alot more relaxed and comfortable on stage this is shown simply in the way she interacts with the crowd, her fabulous dancers and band whilst on stage.


Anastacia still got rather emotional during 'Heavy on my Heart' & 'Your never be alone' as she performed the latter song someone threw a teddy bear on stage, unfortunately Anastacia missed it, all we hear through the speakers is ''oh shoot, umm lalalalalalalaaaa'' and right back into the song! after singing she says ''i don't do catching i have nails you know' The usual very funny Anastacia moments took place all the way through the show, and Anastacia being Anastacia singing everything 100% live and upclose mean't every person there on Sunday night loved it, you could tell by there faces at the end and just simply by the atmosphere as it was electric.

Oh and I havent said I was sitting 5th row completely center, and in my opinion the best seat in the house! especially as I was sitted behind Anastacias VIP guests! so if it's good enough for them!! This was a complete fan-ana-tastic night! one I shall never forget. I hope to add pictures in dew course as I did it the old fashion way of non-digital this time around, fingers crossed they come out good! checkback to the gallery link on right side of webpage for updates.

Halfway through the show Anastacia heads to the back of the pavillion to get up close to the fans at the back, then she performs couple of songs which is shown on three huge screens. Whilst she performed half the band stayed on the main stage and as i watched the drummer played whilst sitting on a plastic barrel - as i say the band where excellent complete charactors which most help Anastacia endlessly.

Thank you Anastacia for a fantastic night is all I can say - and to the mayor on London if your hopeing to host the 2012 olypmic games sort out the road signs around north London, as at the moment they are naff!


this site is part of Anastacia Live At Last please be sure to go back or visit. thanks.


3/14/2005

US Billboard Review for LOA...

(12/03/2005) Left Outside Alone Producer(s): Dallas Austin, Glenn Ballard Writer(s): Anastacia, G. Ballard, D. Austin Publisher(s): various Genre: POP Label/Catalog Number: Daylight/Columbia 51639 (CD promo) Source: Billboard Magazine Originally Reviewed: March 12, 2005 ~"Among the ever-growing list of superstars that light up the European charts, yet appear too melodic to seduce U.S. radio, Anastacia is near the top. Despite having a stable full of No. 1 singles (including this one) and albums overseas, this mega-talented singer/songwriter is, ironically, a Yankee who can't catch a break on her own side of the pond. Because she capably struts among rock, pop and dance, former label Epic couldn't figure out what to do with her. But fortunately, Anastacia is now with Sony sister Columbia, where there is serious excitement behind giving this siren the attention she deserves. "Left Outside Alone" is a one-listen lightning rod of an anthem: danceable and wholly rock-solid credible. Overseas, she's on her third album; let's hope that it's the charm for the pop-depraved U.S. market. Given the chance, Anastacia is the ultimate mass-appeal artist. Her self-titled album drops June 7.—CT~
All good praise from US for once! woooohooo

1/14/2005

~Anastacia Blames Celebrities to Promote Nudity, Vulgarity:

Anastacia has blamed some Music Stars to Depend too much on their body to become famous rather than music and song lyrics.According to 'Femalefirst', the singer has admitted that although she occasionally shows off her midriff, some stars rely too much on their image to sell their music.Anastacia has blasted fellow female celebrities who pose in raunchy outfits to improve their album sales.
"I've always maintained exactly who I am. I haven't decided to show more flesh to sell another million - I just don't believe in that. I have my pictures that show a little midriff, but it's not going to be my focus," Anastacia was quoted as saying."It's not going to be about trying to tease all the time. You can see certain people and feel like, what isn't there to see? That's never been my thing," she said. (ANI) - Express Newsline. Jan 2005.